Connie Young Yu and Leslie Masunaga are JAMsj guest curators. They are currently working on the new JAMsj exhibit, "Common Ground: Chinatown and Japantown, San Jose," which will open in September of 2012. They sat down with interviewer, Nancy Yang, to discuss their vision for the exhibit.What inspired you to create this exhibit? Was there anything in your own life experience that drove you to create the exhibit? Connie: I grew up hearing about my parents and their oral history. My father was born on Cleveland Avenue (in Heinlenville, which no longer exists. Heinlenville was a Chinatown that would be located within the boundaries of present day San Jose Japantown). He was in his twenties when he left the 6th street settlement. My father was actually there until 1937. So his memories were very strong.He remembered Japantown and having Japanese neighbors. He saw the transformation from Chinatown to Japantown. This is what I think is really exciting. I feel that this site of Cleveland Avenue, of Sixth Street, and Jackson Street was the birthplace of the first Asian American community in Santa Clara Valley. It was no longer just Chinatown, and no longer just Japantown. More Asians moved in including Filipinos. This was really the first multicultural place.I think that the story (about Chinatown and Japantown) is very inspiring. You want to reach people in a way that they can understand and identify with, because the story is ultimately about people, and it’s about conflict and struggle.It’s important to realize that Chinatown and Japantown existed because of immigration restrictions. In 1972, I wrote this article called “Remembering 1882.” It was about the Chinese Exclusion Act, and there was a lot of research into the anti-Asian laws. There’s a lot of history and background to this site, which still survives as Japantown, and the roots of that were in the Anti-Asian Laws.There was a fence that was built when Chinatown was new (an eight-foot high fence that was covered with barbed wire originally surrounded Heinlenville). The fence was locked up every night by Charlie (community leaders hired Charlie, a white security guard who patrolled the area). Gradually, there was no fear of people who could come and burn another Chinatown down. The fence was to protect the Chinese, he said, so no one could get in, and no one could get out.Leslie: Basically, I was into the historic preservation of buildings, because they were tearing down all of downtown San Jose. And the building I was in, they tore up under it, so I got into history and got into general local history.The community doesn’t know its history. The individual histories aren’t there, much less the history of Japantown, Northside, and other neighborhoods. While we start developing things, everything gets wiped out. And people keep saying that San Jose has no soul and I say that’s because we keep erasing things. You don’t celebrate. You don’t build on something. You just keep wiping it out, and then it begins to look like everything else.The sad thing about San Jose is that just about all of the Chinese experience has disappeared. There are a lot of Chinese in the Valley, but there’s no particular Chinese place. There’s no town. There’s not even an event center.Now that these communities like Japantown are over 100 years old, it’s important to maintain what’s there. We want the community to prosper, but we also want to celebrate and commemorate the past and what’s there.That’s great that you have those anecdotes about the interaction between the Japanese and the Chinese communities.Connie: These were Asian American activities, but the cultures of China and Japan are so different, and a perfect example is the theater. Chinese theater is so elaborate and Japanese theater is very different. The Japanese had sumo wrestling, which the Chinese did not. There is an anecdote from a woman that I interviewed. She remembered that her mother said, “there’s a half naked man down the street!” It was a sumo wrestler doing an exhibition. They were very shocked because the Chinese never dressed like that.Leslie: This area was the center of the shopping, and the social life, and everything else. Even though all the Asians farmed, they would come here to do the shopping, to go to church, to do things, and some of it’s really interesting is to see where that interplay is. One of the things in the exhibit is a check that my grandfather wrote, but it’s made out to the Tek Wo board. Obviously they were trading with each other and they were buying from different stores, but they were very distinct communities. The interaction wasn’t necessarily at the personal level; it was not necessarily that people would go to the same churches, or the same social clubs, but there was this community interplay. Dr. Ishikawa (Dr. Tokio Ishikawa formerly owned the property where JAMsj currently resides) talks about buying lottery tickets from the Chinese that were around. And Grant Elementary School (near Japantown) was a mixed school. You can see the pictures.Why do you think that there is not a greater general awareness of early Chinatowns and Japantowns and how they have contributed to the present day?Leslie: The problem with history in schools, is that they try and cram in the big picture, the mainstream idea, and it tends to be East Coast dominated.Everybody hears about Ellis Island, but nobody hears really about Angel Island. Even teachers don’t know. They may know that these (Asian) people came in the 1850’s and that the Chinese worked on the railroads, but that’s it.The problem is, Connie’s book really is about the only book out there that’s about Chinatown in San Jose. So you don’t get the whole picture, you get one little story and then you have to go look for it. We just don’t have a mechanism where people are learning the history.Connie: I always go back to the Chinese Exclusion Act. When you exclude a people, there’s a disconnect. Their immigration is interrupted. And when it’s interrupted, it becomes a blank story.After the exclusion law was repealed, people had a hard time talking about the past. The exclusion law separated families and excluded Asians from American society. When you’re excluded, you don’t write about it. You have no record, you are invisible. You’re not a citizen – you’re just a non-entity.From 1882 to 1943, laborers were excluded and their history was obliterated. Most history is written from the point of the victors – the businesses, or the leaders. The laborers are omitted.And you know what happened - that’s why all the Chinatowns faded. It was a cultural center, and it was a home base for agricultural workers. So you have Chinese workers, and then Japanese, and then after when the Japanese were excluded and persecuted, you have the Mexicans, and then the Filipinos. There are people who specialize in labor history, and there are books on labor, but who would want to write about labor, except people who really were affected by it.
Heinlenville Exhibit Opens in September 2012
By Nancy Yang
This September, guest curators Connie Young Yu and Leslie Masunaga will unveil a special exhibit, "Common Ground: Chinatown and Japantown, San Jose," at JAMsj that focuses on the story of Heinlenville, San Jose’s last Chinatown. Yu is the author of Chinatown, San Jose, USA, now in its fourth edition. The new JAMsj exhibit will focus on the personal story behind Heinlenville’s residents and chronicle that community’s relationship to and influence on current-day Japantown.The exhibit will feature artifacts from a 2008 Sonoma State University archaeological excavation of the Heinlenville site. Included in the collection are personal mementos of the curators, including a check made out by Masunaga’s grandfather to the Tuck Wo store, and objects from Yu’s family. There will also be a video associated with the exhibit that incorporates photos and interviews.The construction of San Jose’s last Chinatown began in 1887, several months after arson destroyed the Market Street Chinatown. Heinlenville was bordered by Fifth, Seventh, Jackson, and Taylor streets. It was established at a time of great anti-Asian sentiment, amid calls by city leaders and citizens for the complete elimination of Chinese settlements within the city’s perimeters. Heinlenville was originally surrounded by an eight-foot high fence covered with barbed wire to protect the Chinese from anti-Chinese elements.The namesake of the town is John Heinlen, a German American immigrant and businessman who defied convention in the 1880s by agreeing to lease land to the Chinese and Japanese in San Jose. His defiant actions, made during a time when strong nativist passions were also rampant, still resonate with us today.“I feel San Jose should feel very proud,” Yu said. “Having someone like John Heinlen made a huge difference. If it weren’t for him, I think that we (San Jose) would probably have a very bleak racial image. He’s the greatest example of somebody doing good for the community and rising above (the racial turmoil). I feel that if we do anything, it’s to keep the history, the memory, and the inspiration of John Heinlen alive.”A shared emphasis of their past projects was a focus on community education, through both open houses and public outreach. Yu recalls, “For two years in a row, Leslie and I did our own exhibit. We just put up picnic tables. We had the artifacts and memorabilia, and people could come by and take a look.”“There’s something tangible, in having something to touch and see,” says Masunaga about the artifacts. “It’s something that connects to you as opposed to seeing something in a book, or on paper, or something that just becomes very academic and very cold.” Tangible items, such as boar’s teeth, marbles, and jade bracelets, in conjunction with photographs and anecdotes, help to elucidate the daily life of Heinlenville. This combination also illuminates the quiet dignity of citizens, in the face of outside hostility.This personal approach to history is echoed in the Heinlenville exhibit, as the curators’ vision is to celebrate the colorful life and history of Chinatown and its relationship to present-day Japantown. “I think this is an opportunity to say that this place existed, in terms of a physical community,” says Masunaga. “We want to really bring that aspect forward and give more depth to the community that’s here today--not just to the Japanese American community, but also to the local scene--and to understand the interplay between the communities.”Masunaga notes the significance of telling the Chinese American story. “The sad thing about San Jose is that just about all of the Chinese experience has disappeared. There are a lot of Chinese in the Valley, but there’s no particular Chinese place. There’s no town. There’s not even an event center."Yu reflects on the deeper meaning of the exhibit, “It’s really an all-American story. They’d always say, ‘that’s your history,’ or they’d call it ethnic history. But I would say no. I’m talking about American history. And when Leslie talks about local history, she’s talking about our roots. It’s not strictly Asian American history, and it is not a story about ‘you guys.’”Both curators have deep roots in the Bay Area and have worked extensively together as a team. The two first met in 1990 when Masunaga was working as an archivist at the San Jose Historical Museum, and Yu was working on the book, Chinatown, San Jose, USA.